top of page
Ilya Gringolts portrait

One can hardly play the violin more expressively, more uncompromisingly than Gringolts. (Süddeutsche Zeitung)

Ilya Gringolts wins over audiences with his highly virtuosic playing and sophisticated interpretations and is always seeking out new musical challenges. As a sought-after soloist, Ilya Gringolts devotes himself to the great orchestral repertoire as well as to contemporary and rare works; he is also interested in historical performance practices. His concert programmes include virtuosic early repertoire by Leclair and Locatelli as well as Paganini’s solo and orchestral works. Many composers have written new works for him; most recently Chaya Czernowin, Lotta Wennäkoski, Mirela Ivičević, Augusta Read Thomas, Beat Furrer, Bernhard Lang, and Michael Jarrell. 

This season, he will be performing with, amongst others, the City of Birmingham Symphony Orchestra, the São Paulo Symphony Orchestra, NDR Elbphilharmonie Orchester, and the Belgian National Orchestra; his schedule also includes tours and performances with the Orchestre national de Metz Grand Est, the Korean National Symphony Orchestra and the orchestras of Tasmania, Auckland and Queensland. With Orchestra La Scintilla Zürich he continues his collaboration in the field of historical performance practice, this time under the baton of Adam Fischer. Solo recitals and chamber music concerts take him to Beethovenfest Bonn, the Tsinandali Festival (Georgia), the Ascona Festival, the Barbican Centre and Wigmore Hall in London, as well as to the Aldeburgh Festival. In Naples and Genova, he performs the complete cycle of Beethoven’s violin sonatas together with Peter Laul.

Ilya Gringolts has performed with such renowned orchestras as the Los Angeles Philharmonic, the Bavarian Radio Symphony Orchestra, the Oslo Philharmonic, Orchestra dell’Accademia Nazionale di Santa Cecilia, the Royal Stockholm Philharmonic, the Finnish Radio Symphony Orchestra, and Mahler Chamber Orchestra, as well as with the Israel Philharmonic Orchestra, Tonhalle Orchestra Zurich, the Vienna Symphony Orchestra, Deutsches Symphonie-Orchester Berlin, the Helsinki Philharmonic, the Rotterdam Philharmonic, Orchestre Philharmonique du Luxembourg, Budapest Festival Orchestra, BBC Symphony Orchestra, the NHK Symphony, Singapore Symphony, and the National Symphony Orchestra of Taiwan. From his violin, he regularly leads projects with the Australian Chamber Orchestra, Orchestra della Svizzera Italiana, Camerata Bern, and Ensemble Resonanz.

His extensive discography, featuring highly acclaimed and multi-award-winning recordings for labels including Deutsche Grammophon, BIS, and Hyperion, also includes a critically acclaimed recording of Paganini’s 24 Caprices for solo violin (2013), a complete survey of Stravinsky’s works for violin (2018), and Locatelli’s Il labirinto armonico (2021). Last season, the release of J.S. Bach’s sonatas for violin and harpsichord recorded with Francesco Corti marked the start of his new collaboration with Outhere Music/Arcana; the recording received distinctions such as Diapason d’Or, Scherzo Excepcional, and Muse d’argent from Muse Baroque magazine. In October 2026 a recording of the fantasia and three sonatas for violin and piano by Franz Schubert follows, realized on period instruments together with pianist Anton Gerzenberg.

As first violinist of the Gringolts Quartet, Ilya Gringolts has enjoyed great success at the Salzburg Festival, Lucerne Festival, Edinburgh Festival, Concertgebouw Amsterdam, Philharmonie Luxembourg, Elbphilharmonie Hamburg, and Teatro La Fenice in Venice. A highly esteemed chamber musician, he regularly collaborates with artists such as Nicolas Altstaedt, Lawrence Power, Alexander Lonquich, Peter Laul, Aleksandar Madžar, and Christian Poltéra.

After studying violin and composition with Tatiani Liberova and Zhanneta Metallidi in St. Petersburg, Ilya Gringolts attended the Juilliard School of Music, where he studied with Itzhak Perlman. He won the International Violin Competition Premio Paganini (1998) and is still the youngest winner in the competition’s history; he was also named a BBC New Generation Artist at the outset of his career. In addition to his professor position at the Zurich University of the Arts, Ilya Gringolts was appointed to the renowned Accademia Chigiana in Siena in 2021. He is also artistic advisor of the Mizmorim Festival in Switzerland. Ilya Gringolts plays a violin by Guarneri “del Gesù” (1743).
 

2026/27 season


This biography is to be reproduced without any changes, omissions or additions, unless expressely authorised by the artist management.
 

“Gringolts (…) captivates with his profound emotional depth and immense tonal range, which are served above all by his bowing technique – truly outstanding even amongst other world-class violinists (incredibly clean and synchronised in an almost continuously two-part Baroque encore). (…) it was not spectacle and showmanship that took centre stage, but rather technical perfection – at times quite subdued – and a palpable identification with the emphatic authenticity of a great performer who needs no airs and graces.”

- Klassik.com, Hartmut Hein, 13/07/2026

“From the very first notes to the last, he commands attention with playing that is both incisive and expressive (…). But it’s not just about that level of technical excellence, he’s also able to tell a story and bring out the sense of narrative in the music. (…) The result is playing that feels alive, just a little unpredictable, and deeply engaging.”

- Artshub, Diana Carroll, 18/03/2026

“The expressive gesture is at the forefront in [Ilya Gringolts’] playing (…). It would be difficult to imagine a better, clearer or more appropriate interpretation of these works [J.S. Bach’s sonatas for violin and harpsichord].”

- Rondo, Guido Fischer, 18/10/2025

“Its full majesty [Szymanowski’s Violin Concerto No. 1] was revealed in this near ideal performance by Ilya Gringolts. (…) Gringolts’ range of colour and dynamics impressed at every capricious turn”

- Bachtrack, Chris Garlick, 09/11/2024

"One can hardly play the violin more expressively and uncompromisingly than Gringolts."

- Süddeutsche Zeitung

“It’s difficult to imagine a more complete violinist than Ilya Gringolts. And even harder to imagine a more perfect performance than the one he gave of Max Bruch’s Violin Concerto in G major, scaled down to fit the Australian Chamber Orchestra.”

- Limelight Magazine, Steve Moffatt, 08/02/2023

“He launched the 35-minute work in a way that felt like bubbles coming up to a surface and, with an almost constant musical presence, played his complex part with a precision that was breathtaking. [...] Gringolts showed himself a true master of expression and exactitude.”

- Bachtrack.com, Sarah Batschelet, 11/02/2022

“His individuality is reflected right down to the programming, when he mixes classical and contemporary music as a matter of course, understanding the old music as a source of inspiration for the new. [...] To present a work as if you were hearing it for the first time, that is Gringolts' self-imposed goal - more is really not possible.”

- FAZ, Lotte Thaler, 09/01/2022

"This concert was in a class of its own, a positively unforgettable experience, featuring a musician who was committed and inspired down to his bones. Ilya Gringolts' interpretations [are a testament] to his profound engagement with and deep understanding of the works, and to his unflappable, confident mastery of the instrument."
​
- Pizzicato 2020

"It has been proven countless times that Ilya Gringolts is one of the best violinists of his generation. A Korngold of stunning transparency, Gringolts brings, with almost ridiculous ease, a clarity of execution to even the most difficult passages."

​

- L´ape musicale 2019

"The Russian violinist draws from his Guarneri del Gesù a sound of such luminosity and rich timbre that it renders the [Violin concerto by Sibelius] an immense aurora borealis, to which his attentive and warm interpretation lent a shimmering quality."

​

- El País 2019

© All rights reserved to Ilya Gringolts, 2026

  • Black Facebook Icon
  • Black Instagram Icon
  • Twitter
  • BIS Records
  • Black YouTube Icon
bottom of page